
Thursday, April 23, 2009
Wednesday, April 22, 2009
Thursday, April 16, 2009
Wednesday, April 15, 2009
Thursday, April 09, 2009
Wednesday, April 08, 2009
Tuesday, April 07, 2009
Immerse Yourself In Freewriting

Are you feeling blocked? Don't have the time or the energy or the inspiration to work on your novel right now? Do you feel guilty because you know you should be writing, but you just can't seem to commit to a large body of work?
Why not give Freewriting a go?
Freewriting is a contemporary and popular way of playing with words. You can use it to prepare for writing, to develop ideas, to build characters or setting, to work through blockages, to keep your mind engaged and your thoughts fluid, or simply to catch ideas when they're coming too fast to be taken down in a more structured form.
There are no rules for Freewriting. Freewriting, by nature, defies all rules and restrictions, allowing you to open up and let go onto the page. But there are a few guidelines to help push you in the right direction, should you choose to employ them.
1. Find a quiet place where you won't be interrupted for several minutes.
2. Clear your mind completely, and then write whatever comes into it. Try to write for a solid time period or page length. Say, 5 straight minutes or one whole page, for example.
3. Forget spelling, grammar, punctuation and logical development for now.
4. Don't organize your thoughts into sentences or paragraphs, just let the words run out onto the page.
5. Don't stop until you've reached your goal.
I'm going to go ahead and give this a go right here, right now as an example. The word that came into my head was yesterday's spark word: MURKY. Let's see where it takes me from there.
murky perky beef jerky rough and tumble mumble stumble trip and fall stall wall bricks and mortar she was shorter childhood friend with raven hair flew away came back again grin sin dark and twisted how i missed it glory days gone by i stop and sigh why i longed to feel the sun again summer days sunkissed hair shorts and tshirts barely there beaches full with passersby sunglint waters squinted eye burning sand beneath my feet friends that came and friends to meet soon i'm walking down the street rainy days and gathered clouds shrouds i lift my hands toward the skies rainsoaked happy wild and wise rise lies i realize keep them to yourself i don't want any otherwise butterflies dipping soaring feather wings songs to sing that carry them by bells that ring coins that jingle in my pocket oh happy day all my sins were washed away oh love devine give me a sign that I shall see you again someday another day when this whole world has passed away and I shall fly up to your side on feather wings my very own
Hey, that was really fun! :o)
Monday, April 06, 2009
Thursday, April 02, 2009
Wednesday, April 01, 2009
Monday, March 30, 2009
Quoteworthy
Saturday, March 28, 2009
Take A Breather

Monday, March 23, 2009
Wednesday, March 18, 2009
Wednesday, March 11, 2009
Monday, March 09, 2009
Thursday, March 05, 2009
Pretty Little Puppets

If the reader, literally or figuratively, can laugh or cry with the people in a story; if he can put himself in their places -- however different their type-script situations; if he can say, "That's what I would have said or done under the circumstances"; if he can leap from page to page in a fever of anxiety to see what happens, good ending or bad; and if he lays the magazine or book aside with the feeling of having lived, for a little while, a life like his own, or a life such as his might have been or might yet be, or a totally unknown life which still holds for him the sense of validity, then you've written a good story.
The touchstone is, do you believe it, as you write?
You have to believe it, you know, or no one else will. The souped-up, the dressed-up, the overwritten, the superior attitude of the godlike writer moving pretty little puppets around a pretty little stage, against a fine backgroud, is just no good.
The great books, if you will take the time to read them again, have valid emotions; they are peopled with realities; they move you, sometimes against your will, and they will endure. Any book or story worth the paper it's printed on must have genuine emotion, communicated by the writer to the character and by the character to the reader. It must have, as well as technique, a spiritual content.
Write from knowledge; learn your techniques, but remember that the great quality is not learned even by experience in writing, for it is the quality of understanding and compassion, and of objectivity as well as subjectivity, so that you can see your characters up and down and around and inside and out, and know what makes them tick ... no matter who they are or what they do. Learn to know them -- by heart.
Wednesday, March 04, 2009
Tuesday, March 03, 2009
Thursday, February 26, 2009
It was a dark and story night...
















