
Write about an unlikely friendship amongst unusual characters.
Creative writing prompts, spark words, and musings on the craft.

So for the past week I've been doing something very interesting... An author by the name of William Vitanyi, who also happens to own a small publishing company, came up with a truly novel (pun intended) idea: Why not get a bunch of strangers together and all write a book together in three weeks? He decided to call it Build-A-Book. I read about it in our local newspaper last Sunday, and thought it was too crazy to pass up! So I dragged my brother down with me, and we went to check it out. About 30 people showed up, all eager and willing to participate. Mr. Vitanyi had written out an entire novel idea about a young girl who meets an elderly man at a nursing home and he tells her something that changes her life forever. He took the plot and divided it into 78 sections, or scenes, which we could choose from and then go home and write. All sections had to be turned in by Friday at 5:00 PM sharp -- just 5 days later! The other two weeks would be needed for editing and continuity.
I, myself, ended up with 5 sections, and wrote like a mad woman all week long. In the end, my final word count for the week was 4,490 words -- and that's NOT including the thousands of others who lost their lives on the editing room floor! Not bad. Not bad at all. Especially considering I hadn't put that many words down in the last year, most likely. It was a TON of work, but a total rush and I enjoyed every second of it.
Now the ball is in Mr. Vitanyi's court. But in two more weeks we will all meet back for a ceremony at which the finished novel will be unveiled. All the local libraries have been invited and will receive a donated copy, and the media will also be there for a recap from their story last week. It should be exciting!
If the book turns out to be interesting, Mr. Vitanyi said he just might assign an ISBN# to it and make it available on Amazon.com and other retailers. All of us get to share in any profits.
And best of all, in two more weeks there's going to be a book out there with MY name on it! I've dreamed of this my whole life, and now it's finally coming true! I can hardly believe it.



If the reader, literally or figuratively, can laugh or cry with the people in a story; if he can put himself in their places -- however different their type-script situations; if he can say, "That's what I would have said or done under the circumstances"; if he can leap from page to page in a fever of anxiety to see what happens, good ending or bad; and if he lays the magazine or book aside with the feeling of having lived, for a little while, a life like his own, or a life such as his might have been or might yet be, or a totally unknown life which still holds for him the sense of validity, then you've written a good story.
The touchstone is, do you believe it, as you write?
You have to believe it, you know, or no one else will. The souped-up, the dressed-up, the overwritten, the superior attitude of the godlike writer moving pretty little puppets around a pretty little stage, against a fine backgroud, is just no good.
The great books, if you will take the time to read them again, have valid emotions; they are peopled with realities; they move you, sometimes against your will, and they will endure. Any book or story worth the paper it's printed on must have genuine emotion, communicated by the writer to the character and by the character to the reader. It must have, as well as technique, a spiritual content.
Write from knowledge; learn your techniques, but remember that the great quality is not learned even by experience in writing, for it is the quality of understanding and compassion, and of objectivity as well as subjectivity, so that you can see your characters up and down and around and inside and out, and know what makes them tick ... no matter who they are or what they do. Learn to know them -- by heart.




